By Graziella Parati
During this vital quantity, Graziella Parati examines the ways that Italian ladies writers articulate their identities via autobiography - a public act that also is the production of a personal existence. contemplating autobiographical writings by way of 5 ladies writers from the 17th century to the current, Parati attracts very important connections among self-writing and the controversy over women's roles, either conventional and transgressive. Parati considers the 1st prose autobiography written by way of an Italian girl - Camilla Faa Gonzaga's 1622 memoir - as her starting element, bringing up it as a critical "pre-text." Parati then examines the autobiographies of Enif Robert, Fausta Cialente, Rita Levi Montalcini, and Luisa Passerini. via her dialogue of those women's writings, she demonstrates the complicated negotiations over identification contained inside them, negotiations that problem dichotomies among female and male, maternal and paternal, and personal and public. Public heritage, inner most tales is a compelling exploration of the disparate identities created by way of those girls throughout the act of writing autobiography.